Pride is either a high sense of one's personal status or ego (i.e., leading to judgments of personality and character) or the specific mostly positive emotion that is a product of praise or independent self-reflection. Philosophers and social psychologists have noted that pride is a complex secondary emotion which requires the development of a sense of self and the mastery of relevant conceptual distinctions (e.g., that pride is distinct from happiness and joy) through language-based interaction with others. Some social psychologists identify it as linked to a signal of high social status. One definition of pride in the first sense comes from St. Augustine: "the love of one's own excellence". In this sense, the opposite of pride is humility.
Pride is sometimes viewed as excessive or as a vice, sometimes as proper or as a virtue. While some philosophers such as Aristotle (and George Bernard Shaw) consider pride a profound virtue, most world religions consider it a sin.
According to the Concise Oxford Dictionary, proud comes from late Old English prut, probably from Old French prud "brave, valiant" (11th century) (which became preux in French), from Late Latin term prodis "useful", which is compared with the Latin prodesse "be of use". The sense of "having a high opinion of oneself", not in French, may reflect the Anglo-Saxons' opinion of the Norman knights who called themselves "proud", like the French knights preux.
When viewed as a virtue, pride in one's appearance and abilities is known as virtuous pride, greatness of soul or magnanimity, but when viewed as a vice it is often termed vanity or vainglory. Pride can also manifest itself as a high opinion of one's nation (national pride) and ethnicity (ethnic pride).
- 1 Philosophical views
- 2 Psychological views
- 3 National pride
- 4 Ethnic and racial pride
- 5 Sexual pride
- 6 Vanity
- 7 Literary references
- 8 See also
- 9 Notes
- 10 References
Ancient Greek philosophy
Aristotle identified pride (megalopsuchia, variously translated as proper pride, greatness of soul and magnanimity) as the crown of the virtues, distinguishing it from vanity, temperance, and humility, thus:
- Now the man is thought to be proud who thinks himself worthy of great things, being worthy of them; for he who does so beyond his deserts is a fool, but no virtuous man is foolish or silly. The proud man, then, is the man we have described. For he who is worthy of little and thinks himself worthy of little is temperate, but not proud; for pride implies greatness, as beauty implies a goodsized body, and little people may be neat and well-proportioned but cannot be beautiful. 
He concludes then that
- Pride, then, seems to be a sort of crown of the virtues; for it makes them more powerful, and it is not found without them. Therefore it is hard to be truly proud; for it is impossible without nobility and goodness of character. 
By contrast, Aristotle defined hubris as follows:
- to cause shame to the victim, not in order that anything may happen to you, nor because anything has happened to you, but merely for your own gratification. Hubris is not the requital of past injuries; this is revenge. As for the pleasure in hubris, its cause is this: men think that by ill-treating others they make their own superiority the greater.
Thus, although many religions may not recognize the difference, for Aristotle and many philosophers hubris is altogether an entirely different thing from pride.
Nietzsche saw pride as an example of a previous, master set of morals that had been replaced with slave moralities. In this, pride was good, because it acknowledges the good and the noble, rejecting the weak and insipid. Without pride, Nietzsche argued, we will remain subservient.
Pride as an Emotion
In psychological terms, Pride is "a pleasant, sometimes exhilarating, emotion that results from a positive self-evaluation". It was added by Tracy et al. to the University of California, Davis, Set of Emotion Expressions (UCDSEE) in 2009, as one the three “self-conscious” emotions known to have recognizable expressions (along with embarrassment and shame)  Gestures that demonstrate pride can involve a lifting of the chin, smiles, or arms on hips to demonstrate victory. Individuals may implicitly grant status to others based solely on their expressions of pride, even in cases in they wish to avoid doing so. Indeed, some studies shows that the nonverbal expression of pride conveys a message that is automatically perceived by others about a person's high social status in a group.
Behaviorally, pride can also be expressed by adopting an expanded posture in which the head is tilted back and the arms extended out from the body. This postural display is innate as it is shown in congenitally blind individuals who have lacked the opportunity to see it in others.
Pride and Positive Outcomes
A common understanding of pride is that it results from satisfaction with meeting the personal goals set by oneself; for example, Weiner et al. have posited that positive performance outcomes elicit pride in an individual when the event is appraised as having been caused by him alone. Moreover, Oveis et al. conceptualize pride as a display of the strong self that promotes feelings of similarity to strong others, as well as differentiation from weak others. Seen in this light, pride can be conceptualized as a hierarchy-enhancing emotion, as its experience and display helps rid negotiations of conflict. Pride involves exhilarated pleasure and a feeling of accomplishment. It is related to "more positive behaviors and outcomes in the area where the individual is proud" (Weiner, 1985). Pride is generally associated with positive social behaviors such as helping others and outward promotion. Along with hope, it is also often described as an emotion that facilitates performance attainment, as it can help trigger and sustain focused and appetitive effort to prepare for upcoming evaluative events. It may also help enhance the quality and flexibility of the effort expended (Fredrickson, 2001). According to Bagozzi et al., pride can have the positive benefits of enhancing creativity, productivity, and altruism. For instance, it has been found that in terms of school achievement, pride is associated with a higher GPA in low neighborhood socioeconomic environments, whereas in more advantaged neighborhoods, high pride was associated with a lower GPA.
Pride in Economic Psychology
In the field of economic psychology, Pride is conceptualized in a spectrum ranging from ‘proper pride’, associated with genuine achievements, and ‘false pride,’ which can be maladaptive or even pathological. Lea et al. have examined the role of pride various economic situations and claim that in all cases pride is involved because economic decisions are not taken in isolation from one another, but are linked together by the selfhood of the people who take them. Understood in this way, pride is an emotional state that works to ensure that people take financial decisions that are in their long-term interests, even when in the short term they would appear irrational.
Sin, Pride, and Self-Acceptance
Dr. Terry D. Cooper (2003) conceptualizes excessive pride, along with low self-esteem, as an important paradigm in describing the human condition. He examines and compares the Augustinian-Niebuhrian conviction that pride is primary, the feminist concept of pride as being absent in the experience of women, the humanistic psychology position that pride does not adequately account for anyone's experience, and the humanistic psychology idea that if pride emerges, it is always a false front designed to protect an undervalued self. He considers that the work of certain neo-Freudian psychoanalysts, namely Karen Horney, offer promise in dealing with what he calls a "deadlock between the overvalued and undervalued self" (Cooper, 112-13). He refers to their work in describing the connection between religious and psychological pride as well as sin to describe how a neurotic pride system underlies an appearance of self-contempt and low self-esteem:
The "idealized self," the "tyranny of the should," the "pride system" and the nature of self-hate all point toward the intertwined relationship between neurotic pride and self-contempt. understanding how a neurotic pride system underlies an appearance of self-contempt and low self-esteem. (Cooper, 112-13).
Hubris and Group Pride
Hubris itself is associated with more intra-individual negative outcomes and is commonly related to expressions of aggression and hostility (Tangney, 1999). As one might expect, Hubris is not necessarily associated with high self-esteem but with highly fluctuating or variable self-esteem. Excessive feelings of hubris have a tendency to create conflict and sometimes terminating close relationships, which has led it to be understood as one of the few emotions without any clear positive or adaptive functions (Rhodwalt, et al.). Several studies by UC Davis psychologist Cynthia Picket, have shown that groups that boast, gloat or denigrate others tend to have low social status or be vulnerable to threats from other groups. Claiming that "hubristic, pompous displays of group pride might actually be a sign of group insecurity as opposed to a sign of strength," she believes that those that express pride by humbly focusing on members' efforts and hard work tend to have high social standing. Her studies show that groups in which individuals boasted and gloated tend to have low social status and are more vulnerable to threats from other groups. In contrast, those groups that expressed pride by humbly focusing on members' efforts and hard work tended to have high social standing in both the public and personal eyes.
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In Germany, "national pride" ("Nationalstolz") is often associated with the former Nazi regime. Strong displays of national pride are therefore considered poor taste by many Germans. There is an ongoing public debate about the issue of German patriotism. The World Cup in 2006, held in Germany, saw a wave of patriotism sweep the country in a manner not seen for many years. Although many were hesitant to show such blatant support as the hanging of the national flag from windows, as the team progressed through the tournament, so too did the level of support across the nation. By the time the semi-final against Italy came around, the level of national pride and unity was at its highest throughout the tournament, and the hosting of the World Cup is seen to have been a great success for Germany as a nation. Many Germans still are not sure about if it is good to find a way to "healthy" pride again that also exists in other countries or if this would be a negative development.
Ethnic and racial pride
Asian pride in modern slang refers mostly to those of East Asian descent, though it can include anyone of Asian descent. Asian pride was originally fragmented, as Asian nations have had long conflicts with each other, examples are the old Japanese and Chinese religious beliefs of their individual superiority. Asian pride emerged prominently during European colonialism. At one time, Europeans controlled 85% of the world's land through colonialism, resulting in anti-Western feelings among Asian nations. Today, some Asians still look upon European involvement in their affairs with suspicion. In contrast, Asian empires are prominent and are proudly remembered by adherents to Asian Pride. An example is the Mongol Empire, which was the largest contiguous empire in history, occupying most of Asia and reaching as far as Europe. Another empire is Imperial Japan, the symbols of which are widespread in modern culture, especially the Rising Sun Flag, one of the main symbols of Japanese pride.
Black pride is a slogan used primarily in the United States to raise awareness for a black racial identity. The slogan has been used by African Americans (especially of sub-Saharan African origin) to denote a feeling of self-respect, celebrating one's heritage, and being proud of one's personal worth. Black pride as a national movement is closely linked with the developments of the American Civil Rights Movement, during which noted figures such as Martin Luther King, Jr., Malcolm X, A. Philip Randolph, Stokely Carmichael, and others protested the conditions of the United States' segregated society, and lobbied for better treatment for people of the Black race. Roy Innis has sought to enhance and build on the black pride movement of the mid-1960s, he and a Congress of Racial Equality delegation toured seven African countries in 1971. Curtis Mayfield's "We're a Winner" became a virtual anthem of the black power and black pride movements.
The concept of black power permeated into the work of popular musicians at the time. The Impressions's "We're a Winner", written by their lead singer Curtis Mayfield, became a virtual anthem of the black power and black pride movements, as did James Brown's "Say It Loud - I'm Black and I'm Proud", Collin Carlone's "Life As a 'Boro Black Boy", and, unwittingly, Martha & the Vandellas' "Dancing in the Street". In addition to Black America, the Black Pride Movement was very prevalent in "“Afro-Brazil". http://video.aol.com/video-detail/black-pride-brazil/349833279., especially throughout their poorer population. A local and global recognition of this movement has been demonstrated throughout Brazilian funk. Brazilian Funk’s origin reflects Brazilian Black resistance and today appeals to a larger regional cultural identity. Ethnomusicologist George Yúdice’s states that youth were engaging black culture mediated by a U.S. culture industry met with many arguments against their susceptibility to cultural colonization. Although it borrows some ingredients from a form of Black American musical resistance hip hop, its style still remains unique to the Brazil (specifically in Rio and São Paulo).
White pride is a slogan used primarily in the United States to agitate for a white racial identity and is closely aligned with white supremacy, white separatism, and other extreme manifestations of white racism. White pride activists claim that white pride is equivalent to "black pride" and similar terms that express no more than ethnic self-affirmation.
Gay pride refers to a world wide movement and philosophy asserting that lesbian, gay, bisexual, and transgender (LGBT) individuals should be proud of their sexual orientation and gender identity. It is often shortened to just Pride. LGBT pride advocates work for equal "rights and benefits" for LGBT people. The movement has three main premises: that people should be proud of their sexual preference and gender identity, that sexual diversity is a gift, and that sexual orientation and gender identity are inherent and cannot be intentionally altered.
The word pride is used in this case an antonym for shame, which has been used to control and oppress LGBT persons throughout history. Pride in this sense is an affirmation of ones self and the community as a whole. The modern "pride" movement began after the Stonewall riots of the late 1960s.
There are many organisations around the world which organise, manage and host 'Pride' Events. In the UK, Pride events have been few and far between - traditionally in Brighton and London, but they are on the increase, with Pride events such as Northern Pride Northern Pride gaining massive support and largely increasing in attendance each year.
In conventional parlance, vanity sometimes is used in a positive sense to refer to a rational concern for one's personal appearance, attractiveness and dress and is thus not the same as pride. However, it also refers to an excessive or irrational belief in one's own abilities or attractiveness in the eyes of others and may in so far be compared to pride. The term Vanity originates from the Latin word vanitas meaning emptiness, untruthfulness, futility, foolishness and empty pride. Here empty pride means a fake pride, in the sense of vainglory, unjustified by one's own achievements and actions, but sought by pretense and appeals to superficial characteristics.
In many religions, vanity is considered a form of self-idolatry, in which one rejects God for the sake of one's own image, and thereby becomes divorced from the graces of God. The stories of Lucifer and Narcissus (who gave us the term narcissism), and others, attend to a pernicious aspect of vanity. In Western art, vanity was often symbolized by a peacock, and in Biblical terms, by the Whore of Babylon. In secular allegory, vanity was considered one of the minor vices. During the Renaissance, vanity was invariably represented as a naked woman, sometimes seated or reclining on a couch. She attends to her hair with comb and mirror. The mirror is sometimes held by a demon or a putto. Other symbols of vanity include jewels, gold coins, a purse, and often by the figure of death himself.
Often we find an inscription on a scroll that reads Omnia Vanitas ("All is Vanity"), a quote from the Latin translation of the Book of Ecclesiastes. Although that phrase, itself depicted in a type of still life, vanitas, originally referred not to obsession with one's appearance, but to the ultimate fruitlessness of man's efforts in this world, the phrase summarizes the complete preoccupation of the subject of the picture.
"The artist invites us to pay lip-service to condemning her," writes Edwin Mullins, "while offering us full permission to drool over her. She admires herself in the glass, while we treat the picture that purports to incriminate her as another kind of glass—a window—through which we peer and secretly desire her." The theme of the recumbent woman often merged artistically with the non-allegorical one of a reclining Venus.
In his table of the Seven Deadly Sins, Hieronymus Bosch depicts a bourgeois woman admiring herself in a mirror held up by a devil. Behind her is an open jewelry box. A painting attributed to Nicolas Tournier, which hangs in the Ashmolean Museum, is An Allegory of Justice and Vanity. A young woman holds a balance, symbolizing justice; she does not look at the mirror or the skull on the table before her. Vermeer's famous painting Girl with a Pearl Earring is sometimes believed to depict the sin of vanity, as the young girl has adorned herself before a glass without further positive allegorical attributes.  All is Vanity, by Charles Allan Gilbert (1873–1929), carries on this theme. An optical illusion, the painting depicts what appears to be a large grinning skull. Upon closer examination, it reveals itself to be a young woman gazing at her reflection in the mirror. Such artistic works served to warn viewers of the ephemeral nature of youthful beauty, as well as the brevity of human life and the inevitability of death.
The most common literary term for pride is hubris (sometimes spelled hybris; Greek: ὕβρις).
In Ancient Greece, instances of pride were termed hubris because of the added connotation that pride was a crime against the gods and would result in fatal retribution. The word was also used to describe those who considered themselves more important than the gods themselves. Hubris against the gods is often attributed as a character flaw of the heroes in Greek tragedy, and the cause of the "nemesis", or destruction, which befalls these characters. However, this represents only a small proportion of occurrences of hubris in Greek literature, and for the most part hubris refers to infractions by mortals against other mortals. Therefore, it is now generally agreed that the Greeks did not generally think of hubris as a religious matter, still less that it was normally punished by the gods. The ancient Greek concept of hubris extended to what would today be termed assault and battery.
Achilles and his treatment of Hector's corpse in Homer's Iliad demonstrates hubris. Similarly, Creon commits hubris in refusing to bury Polynices in Sophocles' Antigone. Another example is in the tragedy Agamemnon, by Aeschylus. Agamemnon initially rejects the hubris of walking on the fine purple tapestry, an act which is suggested by Clytemnestra, in hopes of bringing his ruin. This act may be seen as a desecration of a divinely woven tapestry, as a general flouting of the strictures imposed by the gods, or simply as an act of extreme pride and lack of humility before the gods, tempting them to retribution. One other example is that of Oedipus. In Sophocles' Oedipus the King, while on the road to Thebes, Oedipus meets King Laius of Thebes who is unknown to him as his biological father. Oedipus kills King Laius in a dispute over which of them has the right of way, thereby fulfilling the prophecy of the oracle Loxias that Oedipus is destined to murder his own father.
Odysseus' ten year journey home was the result of hubris: after blinding the Cyclops, he mockingly declared his name to the monster as he escaped. This allowed the Cyclops to call upon his father Poseidon for help and curse him.
Victor in Mary Shelley's Frankenstein exudes hubris in order to become a great scientist, but is eventually regretting this previous desire. Faustus in Christopher Marlowe's play Dr. Faustus exudes hubris, all the way until his final minutes of life. Hubris is extreme haughtiness or arrogance. Hubris often indicates being out of touch with reality and overestimating one's own competence or capabilities, especially for people in positions of power. In his book The Hubris Syndrome: Bush, Blair and the Intoxication of Power the British politician David Owen argues that President George W. Bush and Prime Minister Tony Blair developed a Hubristic Syndrome while in power. In particular their handling of the Iraq War showed their hubristic tendencies. Pride is also in relation to ego, a person's ego and "over self confidence" are pride, which other people don't always like.
- Seven Heavenly Virtues (opposite of the deadly sins)
|40x40px||Look up pride in Wiktionary, the free dictionary.|
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|40x40px||Wikiquote has a collection of quotations related to: Pride|
- Cairns, Douglas L. "Hybris, Dishonour, and Thinking Big." Journal of Hellenic Studies 116 (1996) 1-32.
- Fisher, Nick (1992). Hybris: a study in the values of honour and shame in Ancient Greece. Warminster, UK: Aris & Phillips. A book-length discussion of the meaning and implications of hybristic behavior in ancient Greece.
- MacDowell, Douglas. "Hybris in Athens." Greece and Rome 23 (1976) 14-31.
- Owen, David (2007) The Hubris Syndrome: Bush, Blair and the Intoxication of Power Politico's, Methuen Publishing Ltd.
- Essential Vermeer
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