Pornography

Pornography or porn is the portrayal of explicit sexual subject matter for the purposes of sexual excitement and erotic satisfaction.

Pornography may use any of a variety of media, ranging from books, magazines, postcards, photos, sculpture, drawing, painting, animation, sound recording, film, video, or video game. However, when sexual acts are performed for a live audience, by definition, it is not pornography, as the term applies to the depiction of the act, rather than the act itself. Thus, portrayals such as sex shows and striptease are not classified as pornography.

A pornographic model poses for pornographic photographs. A pornographic actor, also called porn star, acts in pornographic films. In cases where few actor skills are required a performer in pornographic films is also called a pornographic model.

Pornography has often been subject to censorship and legal restraints on publication on grounds of obscenity. Such grounds and the very definition of what is or is not pornography have differed in different historical, cultural and national contexts.

Over the past few decades, an immense industry for the production and consumption of pornography has grown, with the increasing use of home video and the Internet, as well as the emergence of social attitudes more tolerant of sexual portrayals. Amateur pornography has become widely popular and generally distributed via the Internet for free.

Etymology
The word derives from the Greek πορνογραφία (pornographia), which derives from the Greek words πόρνη (pornē, "prostitute" and pornea, "prostitution"), and γράφω (graphō, "I write or record," derived meaning "illustration," cf. "graph"), and the suffix -ία (-ia, meaning "state of," "property of," or "place of"), thus meaning "a written description or illustration of prostitutes or prostitution."

History


Depictions of a sexual nature are as old as civilization (and possibly older, in the form of venus figurines and rock art), but the concept of pornography as understood today did not exist until the Victorian era. Nineteenth century legislation outlawed the publication, retail and trafficking of certain writings and images, regarded as pornographic, and would order the destruction of shop and warehouse stock, meant for sale. However, the private possession of and viewing of (some forms of) pornography was not made an offence until recent times.

When large scale excavations of Pompeii were undertaken in the 1860s, much of the erotic art of the Romans came to light, shocking the Victorians who saw themselves as the intellectual heirs of the Roman Empire. They did not know what to do with the frank depictions of sexuality, and endeavored to hide them away from everyone but upper class scholars. The moveable objects were locked away in the Secret Museum in Naples and what could not be removed was covered and cordoned off as to not corrupt the sensibilities of women, children and the working class.

Fanny Hill is considered "the first original English prose pornography, and the first pornography to use the form of the novel." It is an erotic novel by John Cleland first published in England in 1748. It is one of the most prosecuted and banned books in history. The authors were charged with "corrupting the King's subjects."

The world's first law criminalizing pornography was the United Kingdom Obscene Publications Act 1857 enacted at the urging of the Society for the Suppression of Vice. The Act, which applied to the United Kingdom and Ireland, made the sale of obscene material a statutory offence, giving the courts power to seize and destroy offending material. The Act did not apply to Scotland, where the common law continued to apply. However, the Act did not define "obscene", leaving this for the courts to determine. Prior to this Act, the publication of obscene material was treated as a common law misdemeanour and effectively prosecuting authors and publishers was difficult even in cases where the material was clearly intended as pornography.

The Victorian attitude that pornography was for a select few can be seen in the wording of the Hicklin test stemming from a court case in 1868 where it asks, "whether the tendency of the matter charged as obscenity is to deprave and corrupt those whose minds are open to such immoral influences." Despite the fact of their suppression, depictions of erotic imagery were common throughout history.

Pornographic film production commenced almost immediately after the invention of the motion picture in 1895. Two of the earliest pioneers were Eugène Pirou and Albert Kirchner. Kirchner directed the earliest surviving pornographic film for Pirou under the trade name "Léar". The 1896 film, Le Coucher de la Marie showed Louise Willy performing a striptease. Pirou's film inspired a genre of risqué French films showing women disrobing and other filmmakers realised profits could be made from such films.

Sexually explicit films were soon characterised as obscene and rendered illegal. Those that were produced were produced underground by amateurs starting in the 1940s. Processing the film by commercial means was risky as was their distribution. Distribution was strictly private. Denmark was the first country to legalize pornography in 1969, which led to an explosion of commercially produced pornography. It continued to be banned in other countries, and had to be smuggled in, where it was sold "under the counter" or (sometimes) shown in "members only" cinema clubs.

Sub-genres
In general, softcore refers to pornography that does not depict penetration (usually genitals are not shown on camera), and hardcore refers to pornography that explicitly depicts penetration.

Pornography is classified according to the physical characteristics of the participants, fetish, sexual orientation, etc, as well as the types of sexual activity featured. Reality and voyeur pornography, animated videos, and legally prohibited acts also influence the classification of pornography. The genres of pornography are based on the type of activity featured and the category of participants, such as:


 * Alt porn
 * Amateur pornography
 * Fetish pornography
 * Orientation-based pornography (heterosexual pornography; gay pornography; lesbian pornography; bisexual pornography)
 * Orgy pornography
 * Race-oriented pornography (e.g. Asian, black, Latino, interracial)
 * Reality pornography
 * Soft pornography
 * Voyeurism, involving, for example, use of hidden camera or "upskirt" photography.

Economics
Revenues of the adult industry in the United States is difficult to determine. In 1970, a Federal study estimated that the total retail value of hardcore pornography in the United States was no more than $10 million.

In 1998, Forrester Research published a report on the online "adult content" industry estimating $750 million to $1 billion in annual revenue. As an unsourced aside, the Forrester study speculated on an industry-wide aggregate figure of $8–10 billion, which was repeated out of context in many news stories, after being published in Eric Schlosser's book on the American underground economy. Studies in 2001 put the total (including video, pay-per-view, Internet and magazines) between $2.6 billion and $3.9 billion.

A significant amount of pornographic video is shot in the San Fernando Valley, which has been a pioneering region for producing adult films since the 1970s, and has since become home for various models, actors/actresses, production companies, and other assorted businesses involved in the production and distribution of pornography.

The pornography industry has been considered influential in deciding format wars in media, including being a factor in the VHS vs. Betamax format war (the videotape format war) and in the Blu-ray vs. HD DVD format war (the high-def format war).

Non-commercial pornography
As well as the porn industry, there is a large amount of non-commercial pornography. This should be distinguished from commercial pornography falsely marketed as featuring "amateurs." The Alt Sex Stories Text Repository focuses on prose stories collected from Usenet. Various Usenet groups are focused on non-commercial pornographic photographs.

Technology
Mass-distributed pornography is as old as the printing press. Almost as soon as photography was invented, it was being used to produce pornographic images. Some claim that pornography has been a driving force in the development of technologies from the printing press, through photography (still and motion), to satellite TV, other forms of video, and the Internet. With the invention of tiny cameras and wireless equipments voyeur pornography is gaining ground. Mobile cameras are used to capture pornographic photos or videos, and forwarded as MMS.

Computer-generated images and manipulations
Digital manipulation requires the use of source photographs, but some pornography is produced without human actors at all. The idea of completely computer-generated pornography was conceived very early as one of the most obvious areas of application for computer graphics and 3D rendering.

Until the late 1990s, digitally manipulated pornography could not be produced cost-effectively. In the early 2000s, it became a growing segment, as the modelling and animation software matured and the rendering capabilities of computers improved. As of 2004, computer-generated pornography depicting situations involving children and sex with fictional characters, such as Lara Croft, is already produced on a limited scale. The October 2004 issue of Playboy featured topless pictures of the title character from the BloodRayne video game.

3D pornography
Due to the popularity of 3D blockbusters in theaters such as Avatar and How to Train Your Dragon, companies are now looking to shoot pornography movies in 3D. The first case of this occurred in Hong Kong in 2010, when a group of filmmakers filmed 3D Sex and Zen: Extreme Ecstacy due for release May 2011.

Production and distribution by region
The production and distribution of pornography are economic activities of some importance. The exact size of the economy of pornography and the influence that it has in political circles are matters of controversy.

In the United States, the sex film industry is centered in the San Fernando Valley of Los Angeles. In Europe, Budapest is regarded as the industry center.

Legal status

 * See List of pornography laws by region for detailed list

The legal status of pornography varies widely from country to country. Most countries allow at least some form of pornography. In some countries, softcore pornography is considered tame enough to be sold in general stores or to be shown on TV. Hardcore pornography, on the other hand, is usually regulated. The production and sale, and to a slightly lesser degree the possession, of child pornography is illegal in almost all countries, and some countries have restrictions on pornography depicting violence (see e.g. rape pornography) and/or pornography depicting sex of a human with an animal. Most countries attempt to restrict minors' access to hardcore materials, limiting availability to adult bookstores, mail-order, and television channels that parents can restrict, among other means. There is usually an age minimum for entrance to pornographic stores, or the materials are displayed partly covered or not displayed at all. More generally, disseminating pornography to a minor is often illegal. Many of these efforts have been rendered practically irrelevant by widely available Internet pornography. A failed US law would have made these same restrictions apply to the internet.

In the United States, a person receiving unwanted commercial mail he or she deems pornographic (or otherwise offensive) may obtain a Prohibitory Order, either against all mail from a particular sender, or against all sexually explicit mail, by applying to the United States Postal Service.

There are recurring urban legends of snuff movies, in which murders are filmed for pornographic purposes. Despite extensive work to ascertain the truth of these rumors, law enforcement officials have been unable to find any such works.

The Internet has also caused problems with the enforcement of age limits regarding performers and subjects. In most countries, males and females under the age of 18 are not allowed to appear in porn films, but in several European countries the age limit is 16, and in Denmark it is legal for women as young as 16 to appear topless in mainstream newspapers and magazines. This material often ends up on the Internet and can be viewed by people in countries where it constitutes child pornography, creating challenges for lawmakers wishing to restrict access to such material.

Some people, including pornography producer Larry Flynt and the writer Salman Rushdie, have argued that pornography is vital to freedom and that a free and civilized society should be judged by its willingness to accept pornography.

The UK Government has criminalised possession of what it terms "extreme pornography" following the highly publicised murder of Jane Longhurst.

Child pornography is illegal in most countries, with a person most commonly being a child until the age of 18 (though the age does vary). In those countries, any film or photo with a child subject in a sexual act is considered pornography and illegal.

Effect on sexual crime
Research concerning the effects of pornography is inconclusive. Some studies support the contention that the viewing of pornographic material may increase rates of sexual crimes, while others have shown no effects, or a decrease in the rates of such crimes.

Statistics
According to a British newspaper, two thirds of women have watched porn. More than 70% of men from 18 to 34 visit a pornographic site in a typical month.

Anti-pornography movement


Opposition to pornography comes generally, though not exclusively, from several sources: law, religion and feminism.

Feminist objections
Feminist critics of pornography, such as Andrea Dworkin and Catharine MacKinnon, generally consider it demeaning to women. They believe that most pornography eroticizes the domination, humiliation, and coercion of women, reinforces sexual and cultural attitudes that are complicit in rape and sexual harassment, and contributes to the androcentric objectification of women.

Religious objections
Some religious groups discourage members from viewing pornography, and support legislation restricting its publication. These positions derive from broader religious beliefs about human sexuality. They believe that God created human beings and created sexual intercourse for them in the context of marriage. Thus, sex-oriented entertainment, as well as lack of modesty, are considered to cheapen human sexuality and be a misuse of it.

Advocacy

 * Susie Bright. "Susie Sexpert's Lesbian Sex World and Susie Bright's Sexual Reality: A Virtual Sex World Reader", San Francisco, CA: Cleis Press, 1990 and 1992. Challenges any easy equation between feminism and anti-pornography positions.
 * Betty Dodson. "Feminism and Free speech: Pornography." Feminists for Free Expression 1993. May 8, 2002
 * Kate Ellis. Caught Looking: Feminism, Pornography, and Censorship. New York: Caught Looking Incorporated, 1986.
 * Susan Griffin. Pornography and Silence: Culture's Revenge Against Nature. New York: Harper, 1981.
 * Matthew Gever. "Pornography Helps Women, Society", UCLA Bruin, 1998-12-03.
 * Jason Russell. "The Canadian Past-Time" "Stand Like A Rock"
 * Michele Gregory. "Pro-Sex Feminism: Redefining Pornography (or, a study in alliteration: the pro pornography position paper)
 * Andrea Juno and V. Vale. Angry Women, Re/Search # 12. San Francisco, CA: Re/Search Publications, 1991. Performance artists and literary theorists who challenge Dworkin and MacKinnon's claim to speak on behalf of all women.
 * Michael Kimmel. "Men Confront Pornography". New York: Meridian—Random House, 1990. A variety of essays that try to assess ways that pornography may take advantage of men.
 * Wendy McElroy defends the availability of pornography, and condemns feminist anti-pornography campaigns.
 * "A Feminist Overview of Pornography, Ending in a Defense Thereof"
 * "A Feminist Defense of Pornography"
 * Annalee Newitz. "Obscene Feminists: Why Women Are Leading the Battle Against Censorship" San Francisco Bay Guardian Online May 8, 2002. May 9, 2002
 * Nadine Strossen:
 * "Defending Pornography: Free Speech, Sex and the Fight for Women's Rights" (ISBN 0-8147-8149-7)
 * "Nadine Strossen: Pornography Must Be Tolerated"
 * Scott Tucker. "Gender, Fucking, and Utopia: An Essay in Response to John Stoltenberg's Refusing to Be a Man" in Social Text 27 (1991): 3-34. Critique of Stoltenberg and Dworkin's positions on pornography and power.
 * Carole Vance, Editor. "Pleasure and Danger: Exploring Female Sexuality." Boston: Routledge, 1984. Collection of papers from 1982 conference; visible and divisive split between anti-pornography activists and lesbian S&M theorists.

Opposition

 * Secondary Negative Effects on Employees of the Pornographic Industry, by Shelley Lubben
 * Linda Williams: Hard Core: Power, Pleasure and the Frenzy of the Visible (University of California Press, 1989). Expanded Paperback Edition: University of California Press, 1999, ISBN 0-520-21943-0
 * Linda Williams (ed.): Porn Studies, B&T, 2004, ISBN 0-8223-3312-0